Saturday, March 11, 2017
How to build the perfect tracklist for our record PART 1/2
Hello everyone and welcome to this week's article!
Today we will go on with our songwriting tips talking about the best ways to create a tracklist for your record: how to decide the order of the songs to make them effective and to keep high the attention of the listener.
Let's start by saying that a tracklist is a concept of the past: those of you coming from generations in which internet was not yet mainstream will remember creating compilations on tape or on cd, carefully picking the perfect tracklist in the perfect order to be the ideal soundtrack of our life, or to be a gift to our significant other.
Today people listens to music often by the phone, the computer or the car stereo with an usb drive, so they are not tied as in the past to a certain tracklist to be forcefully listened in order, but nevertheless an artist should create and suggest still today a certain sequence for his album to be listened, if he wants his message to be delivered in the way he intended it to go; then if his songs ends up in some Spotify playlist.... It's not a problem.
P.s.: why did I choose Painkiller of Judas Priest as a cover image for this article? Simple: because I think it is a perfect example of excellent tracklist creation skill.
Let's begin by saying that there is a difference between a single (usually 2 songs), an Ep (usually 4 or 5 songs) and an album (usually around 10 songs): the album lenght is different, the attention span in the first 2 cases is not a problem, because if the album is 20/25 minutes or less the attention of the listener remains high, therefore there's more freedom in choosing a tracklist: the important is to have an impactful beginning and an ending that sounds as a conclusion, that doesn't leave the work incomplete.
For a full lenght album as we have said the situation is more complex, and in this psychoacoustics can come in our aid, helping us in picking the right song order, making them flow one into the other gracefully.
Let's say we have 10 songs, each one 5 minutes long for a total of 50 minutes of music: our aim is to keep high the attention of the listener, to not bore him and to not make him change album; let's add also that in this example we are not talking about a concept album in which the songs needs necessarily to be played in a certain order because of the lyrics.
Last forewords: as always these are not fixed rules, it's just a collection of tips I've gathered through my years in songwrting experience, and by making reverse engineering on some of the best tracklists in the history of music.
- Obviously we should start with the introduction, if we have one, or with the song with the most attention capturing first 20 seconds. Since the first song will be the one listened the most and will decide whether the listener will want to proceed in playing also the other ones included in our record we must consider it as the shopping window of our album; the first impression is crucial, therefore we must showcase the best that the album has to offer: the best impact, the best melodies.
- The second song is often overlooked, like the second page of Google: people is often still thinking about the first song, so the main purpose of this position is to be pleasantly connected to the first one, to consolidate the good impression to and prepare the listener to the big wave.
- The third song should be the heart of the album: we have done our introductions, now we can get into the real business. There is a reason why in many pop-rock albums the big single is at the third position: the listener is already hooked in the album, and this is the moment to serve the main course. In this position it is a good idea to place the best song we have, maybe a nice uptempo with a very catchy chorus.
CLICK HERE FOR PART 2/2
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